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The principal images of Bleak Home are those of smoke, fog, dust and rain that underlie the roads of London, Chancery, and the Lincolnshire home of the Dedlocks. These pictures are main to the conception of a world that's considering dissolution; some sort of high in problem that is common and inescapable. The crime and dissolution use not only to physical locations, but also to the very fabric of culture, a culture that is focused in Chancery and which spreads, like pestilence, to all or any human relationships. family guest house

 

The invasive nature of this corruption cannot be ameliorated by the standard cultural agencies which would be anticipated to offer aid and security against cultural ills. Within the galaxy of Bleak House, the courts, Parliament, the aristocracy, philanthropic agencies, and prepared faith, are helpless from the unrelenting wave of dissolution represented by the smoke, fog, and dust emanating from Chancery.

 

From this history of an inadequate social purchase, Dickens provisionally adopts a view that particular relationships and personal duty are methods which mitigate the cultural ills defined in the novel. However actually the well-intentioned activities of people working in a responsible and charitable way are useless in resolving large-scale social ills, and can only just provide assistance and relief to a restricted number of people within the novel.